Maison Lelièvre Takes Over La Pagoda for Paris Déco Off 2026

For Paris Déco Off 2026, Maison Lelièvre will take over La Pagoda, one of Paris’ most distinctive historic landmarks, to unveil its 2026 fabric and rug collections in a scenography imagined by French designer Edgar Jayet.

A family-owned French editor and weaver of furnishing fabrics, Lelièvre Paris is known for its annual contract collection aimed at the hospitality market, designed to meet the technical requirements imposed on fabrics used in public areas around the world. This year’s presentation brings together Lelièvre Paris, Quenin, and Tassinari & Chatel, offering a multi-layered showcase of heritage, craftsmanship, and contemporary decorative narratives.

To mark the occasion, Lelièvre invites visitors into the richly atmospheric setting of La Pagoda to discover four new directions for 2026—spanning travel-inspired jacquards, sun-warmed indoor/outdoor textiles, theatrical French hedonism, and reissued archival classics.

The 2026 Collections

Escales Lointaines 

The Escales Lointaines collection invites us to travel through materials. Each textile becomes a scenic view, capturing the emotion of distant horizons. Lelièvre Paris celebrates the art of weaving, noble fibers, and refined craftsmanship, creating a dreamlike journey through exotic aesthetics and sensory experiences.

Subtle basketry-inspired weaves, maritime knot geometries, botanical and Asian references and occasional metallic yarns evoke sun-drenched archipelagos. Each fabric captures the spirit of an encounter, a landscape, a memory that shapes contemporary interiors.

Îles du Vent

Lelièvre Paris’ first indoor/outdoor collection.

A warm breeze greets the new Îles du Vent collection, Lelièvre Paris’ first in/outdoor fabric line. Inspired by the raw, sensual beauty of the Caribbean, it transports us to sunlit shores, between vibrant jungles and refined elegance.

Celebrating island poetry, the collection evokes swaying palms, the play of light and shadow, and textures warmed by the sun. Entirely designed by Lelièvre Studio, Îles du Vent combines decorative creativity with outdoor performance for a complete sensory experience, blending tropical elegance with authenticity.

Festivités (Quenin)

Following the bucolic elegance of Belle Époque, Quenin unveils Festivités, the second anticipated collection of the historic brand (part of Maison Lelièvre). Here, the Maison pushes further its exploration of rich materials and unexpected supports.

Drawing from its precious archives, the brand breaks free from traditional pastoral prints to reveal a bold, opulent, and theatrical identity.

Festivités celebrates the joy of entertaining and French hedonism. Between splendour and delicacy, the collection evokes the secret boudoir, the masquerade of sweets, and hushed conversations at the heart of a shimmering Parisian apartment.

The materials are sumptuous, the patterns burst with life, and the colours blaze. This is a fantasised classic—luxurious and jubilant—where the art of living becomes an art of décor. Fabrics come alive with reflections, textures, and contrasts. It is a collection that stages beauty: a textile feast where every fabric invites the senses to indulge.

Tassinari & Chatel Reissues

Alongside the new launches, Maison Lelièvre will also present two reissued archival designs from Tassinari & Chatel: Les Roses and Dahlia Perlé. Drawn from the storied archive, the reissues reconnect contemporary interiors with the decorative heritage that continues to shape French textile culture.

Press Days at La Pagoda

Press Days – Open House

Wednesday 14 & Thursday 15 January 2026, 9:30am – 6:00pm

Location: La Pagoda, 48 rue de Courcelles, 75008 Paris, Metro: Monceau (Line 2)

Share

About Sarah Stormonth-Darling

Sarah Stormonth-Darling is a creative copywriter and freelance content writer that works across a broad spectrum of industries. Her interest in sustainability, product design and interiors combined with her writing experience lends itself seamlessly to writing for Design Insider.
View all posts by Sarah Stormonth-Darling →