Groundbreaking Material Innovation – A Glimse at Laufen’s SaphirKeramik
An outstanding collaboration between Laufen and French Designer Toan Nguyen, the INO washbasin and shelf from the INO bathroom collection picked up an award for innovative use of materials. The INO collection skillfully utilises groundbreaking SaphirKeramik, created by Laufen in 2013. This revolutionary ceramic material offers the flexural strength of steel, yet has the potential to be wafer thin, giving designers such as Nguyen the freedom to experiment.Design Insider got the inside scoop from Toan Nguyen about collaborating with Laufen and this amazing material.
How and when did you first come to collaborate with Laufen?
It all started when I met Marc Viardot, Laufen’s Director of Marketing and Products in 2011, at the Milan Furniture Fair, where I was launching my outdoor sofa collection, Mu for Dedon. We talked about collaborating, and this led to me designing my first product for Laufen, the Antero urinal for the contract market.
How did you come to collaborate with Laufen on this new design?
Laufen wanted to take things further with their exploration of SaphirKeramik, and invited several designers to take part in this, including myself. Laufen and the designers discussed how to use this material and try out different approaches with the goal of creating a new generation of washbasins. This echoed my own aim to create a practical rather than a conceptual product. My starting point was to take an archetypal washbasin and transform it into something different. I ended up creating a wall-mounted washbasin incorporating a shelf to one side. The shelf takes the place of the wider area normally found around a basin. Eliminating the wider edge around a conventional basin allows for a more generously sized washbasin. Its emphasis is more on lines and surface than on volume. But it’s not just about surface as the washbasin is made of ceramic and still has all its qualities – its materiality, a physical quality which you can touch and feel.
What appealed to you about your latest collaboration with Laufen?
My first experience working with Laufen had already been very positive…I believe you can only create good design with a company’s support. Laufen gave me a relatively open brief, which was fantastic. We considered many production methods. And Laufen’s response to trying out new things was very positive – they always said: “Why not?” And for me it was important to push the limits of the product and its production process.
What was it like for you to work with SaphirKeramik?
It was incredible. It was a great opportunity to work with a new material, which hardly ever happens. It’s dense and strong yet very fine, its lines very precise. It’s like traditional ceramic in that it’s hygienic and shares the same production processes – moulding, glazing and firing. But, while it’s recognisably made of ceramic, it’s also modern, very high-performance. Its thin walls provide the opportunity to create very graphic, minimalist shapes. Its radiuses can be tight yet they don’t feel sharp but smooth. Overall, SaphirKeramik is sensual, tactile. You can make washbasins out of resin, but ceramic is always the best material. Most of us prefer to eat off a ceramic rather than a plastic plate. We like to drink our coffee from china cups. Yet I like the fact that ceramic is made using an industrial process and is part of our everyday lives. It’s not elitist.
“It’s modern, very high-performance…Overall, SaphirKeramik is sensual [and] tactile.”
Could you see SaphirKeramik inspiring you to make different types of products?
For sure. My washbasin is supposed to be the first piece in a collection, which Laufen and I are working on. I believe that in future SaphirKeramik will redefine how ceramic sanitary ware is designed. It’s just the beginning of a process – like the trailer for a complete movie we’ll see later. The possibilities are endless when you think that bathrooms aren’t just functional spaces to wash in. They’re a privileged area where you can relax or read.
Are there any similarities – aesthetic or otherwise – between your designs for Laufen and your other work?
Not really as I’m not really interested in having one, signature style. That said, functionality is important to me. If people use my washbasin as a normal washbasin, this will make me very happy. I wanted it to be an object that doesn’t shout for attention or look extreme. Yet my washbasin is discreetly innovative. When I designed it, I wanted to eliminate all unnecessary elements – the thickness, volume and visual weight. I wanted to create a washbasin reduced to its essential form and simple lines.
There is no comparison between using a ceramic prototype and any other made from another material. The ceramic prototypes are like the final products. They’re very convincing. Presenting them in this way was necessary as you can’t predict how the ceramic will react to the various processes involved – moulding, glazing, firing – until they’re made. Only by subjecting it to these processes can you understand how the material will ultimately behave. With ceramic, the results are always a bit different from what you’d planned. Ceramic distorts during the manufacturing process, so it’s difficult to control its shape. I think you have to go with what the material wants to do but also know how to constrain it. I find the duality involved in trying to understand the material exciting. Seeing the first moulded pieces was very exciting. Another advantage of the ceramic prototypes was to be able to touch and feel the material that will also be used in the final product.
Were any of your pieces modified after the prototypes were exhibited? And can you tell us about how you have extended the range?
No, there were no modifications. Initially, I created one design – a wall-mounted washbasin with a shelf, which I consider an iconic piece. This was created as the start of a collection and established its design language. After Milan, Laufen and I decided to extend the collection with three related designs: wall-mounted washbasins, semi-inserted ones and bowls…I also wanted to complete the collection with some related and unique pieces of furniture that complement the ceramic range. These include a vanity unit in various sizes to house the different washbasin designs and a tall bathroom cabinet. These all have doors made of aluminium covered in a wood veneer or white lacquer. The aluminium is very thin and strong, in keeping with the spirit of SaphirKeramik. And I’ve created two bathtub designs made of solid-surface material. They have very thin walls – making them aesthetically related to the designs in SaphirKeramik – but, by contrast, their interior is soft and rounded.